THE HOUR OF OUR TIME

This minor, mid-tempo four on the floor track evokes a subharmonic depth and rise. Large spread-voiced strings contrast a pulsating, bass mono synth creating a driving undulator that captures the club, the battlefield, heartbreak, and rebirth in a full fledged rhythmic assault. With deep chest-rattling Synthesizer, taiko drums, and orchestral Synthesizer reminiscent of Hans Zimmer, Revival is a mysterious, driving, and powerful for anything anthemic, dramatic, or empowering.

GAB leans into the idea of a futuristic rebuilt society after the fall of mankind.

Gregorian Chants begins another Dark-Hop instrumental that would sound perfect with a TDE Emcee or an Atlantan trap artist.  Gods vs Frauds uses a static Ostinato of Orchestral Percussion, brass, and harp to create a haunting, half-time groove built for use in suspense.

Humans have mislead those seeking to worship in his name. Cyza dares to damn those who claim to be the GOD and sets the record straight and calls them frauds.

If Dan the Automator and Damon Albarn collaborated with Atticus Ross (but not Trent Reznor), this piano-centric minor dub is enigmatic with a capital E.  A rolling snare sampled straight out of a war march or collegiate drum line is married with sharp, rising, minor arpeggios from bright strings and oscillating synthesizers.

A cry out for change in these heartwrenching performances by Luce and Nichol on Black Lives Matter.