BROWN DONALD SIDNEY

This minor, mid-tempo four on the floor track evokes a subharmonic depth and rise. Large spread-voiced strings contrast a pulsating, bass mono synth creating a driving undulator that captures the club, the battlefield, heartbreak, and rebirth in a full fledged rhythmic assault. With deep chest-rattling Synthesizer, taiko drums, and orchestral Synthesizer reminiscent of Hans Zimmer, Revival is a mysterious, driving, and powerful for anything anthemic, dramatic, or empowering.

Gregorian Chants begins another Dark-Hop instrumental that would sound perfect with a TDE Emcee or an Atlantan trap artist.  Gods vs Frauds uses a static Ostinato of Orchestral Percussion, brass, and harp to create a haunting, half-time groove built for use in suspense.

If Dan the Automator and Damon Albarn collaborated with Atticus Ross (but not Trent Reznor), this piano-centric minor dub is enigmatic with a capital E.  A rolling snare sampled straight out of a war march or collegiate drum line is married with sharp, rising, minor arpeggios from bright strings and oscillating synthesizers.